In addition, they can transfer intonation patterns from one take to another, even with a director’s audio input. For example, it lets you control what a synchronised signal will sound like exactly.So, filmmakers and video creators will like to use Revoice Pro to sync alternative takes or wild tracks and perform ADR to a production dialogue.
Failing the latter, you can load your in-camera audio in your DAW and take it from there.Revoice Pro aligns signals based on energy – pitch as well as volume – and that makes it more efficient than the often used PluralEyes for aligning in-camera audio with ex-camera sound.Revoice Pro not only has better alignment, but it also supports other processes. I tested the app using several recordings from audio as well as video sources.is Synchro Arts’ latest version of an app that not only can be used for ADR and synchronisation, but also for creating double tracks from one input signal, changing time and pitch modulation for creative usage, manually and automatically changing time and pitch of voice and monophonic instrument recordings, and for spectrum analysis.The app offers tools for DAWs like Pro Tools, Logic Pro X, Studio One, Cubase and many others, and it will work with those NLEs that provide the timecode Revoice Pro needs. Audio professionals around the world use Revoice Pro for adjustment and alignment of vocals, instruments and ADR, as well as double track generation.
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